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Gluck: Orpheus und Eurydike - A Dance Opera by Pina Bausch [Blu-ray]
Conductor: Thomas Hengelbrock | Composer(s): Christoph W. Gluck | Choreography and stage direction: Pina Bausch | Performer(s): Julia Kleiter, Sunhae Im, Maria Riccarda Wesseling | Orchestra/Ensemble: Balthasar-Neumann Ensemble, Balthasar-Neumann Chorus | Label: Bel Air Classiques | Blu-ray | Picture format: 16:9 | Sound format: PPCM Stereo, DTS HD Master Audio 5.1 | File host: Share-online.biz | 5% recovery record + 1 .rev files | Run time: 104 minutes | 23.32 GB
Language(s): German | Subtitle(s): French, German, English, Spanish, Italian




This is in a class by itself: it is the late choreographer Pina Bausch's vision of Gluck's Orfeo, originally produced in Germany in 1975. This performance took place at Paris' Palais Garnier in February, 2008. Bausch presents two sets of protagonists--for each solo singing part there is a solo dancer--with the dancing, of course, taking physical precedence, but with the singers thoroughly engaged as well. You might think this awkward on stage but it is not; like any great choreographer, Bausch knows her space, and furthermore has choreographed minimal movements for the singers to emotionally mirror the dancers'. Just so you know, Bausch eschews Gluck's happy ending: both main characters remain dead at this performance's close.

Gluck: Iphigenie En Aulide, Iphigenie En Tauride / Minkowski, Gens, Delunsch [Blu-ray]
Conductor: Marc Minkowski | Composer(s): Christoph W. Gluck | Directors: Pierre Audi, Misjel Vermejren | Performer(s): Anne Sofie von Otter, Véronique Gens, Salome Haller, Nicolas Testé | Orchestra/Ensemble: Netherlands Opera Chorus, Les Musiciens du Louvre | Label: Opus Arte | Blu-ray | Picture format: 1080i High Definition | Sound format: LPCM Stereo 2.0 / DTS 5.1 | File host: Share-online.biz | 5% recovery record + 1 .rev file | Run time: 267 minutes | 43.4 GB
Language(s): French | Subtitle(s): English, French, German, Dutch, Korean
Recorded live at De Nederlandse Opera, September 2011




Two late and baleful tragedies by Euripides focus on the ill-starred daughter of the Greek King, Agamemnon. Will he sacrifice Iphigenia in order to secure fair winds for his voyage to Troy? In Aulis, the drama rages until she is spared. Having escaped to Tauris, Iphigenia finds herself compelled to kill her own brother before, once more, the fickle gods intervene. Gluck's operatic settings are very rarely staged together, but Pierre Audi's production makes a darkly compelling case for their dramatic unity. All the lead performers here are experienced exponents of Gluck, and together they present a powerfully idiomatic experience.

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