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14:47

Wagner: Tristan Und Isolde / Belohlavek, Stemme, Gambill, Skovhus [Blu-ray]

Posted by Bravo Bravissimo

Wagner: Tristan Und Isolde / Belohlavek, Stemme, Gambill, Skovhus [Blu-ray]
Conductor: Jiri Belohlavek | Composer(s): Richard Wagner | Performer(s): Timothy Robinson (Tenor), Stephen Gadd (Bass), Katarina Karnéus (Mezzo Soprano), Nina Stemme (Soprano), René Pape (Bass), Robert Gambill (Tenor), Bo Skovhus (Baritone) | Orchestra/Ensemble: London Philharmonic Orchestra, Glyndebourne Chorus | Label: Opus Arte | Blu-ray | Picture format: 1080i High Definition | Sound format: 2.0 and 5.0 Dolby TrueHD | File host: Share-online.biz | 5% recovery record + 1 .rev files | Run time: 358 mins | 84.37 GB
Language(s): German | Subtitle(s): English, German, French, Spanish, Italian




Glyndebourne's celebrated production of Nikolaus Lehnhoff's Tristan und Isolde is gravely beautiful, haunting and meditative. Nina Stemme's Isolde and Robert Gambill's Tristan are matched by a superb performancce from Rene Pape.

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12:08

Mozart - Le nozze di Figaro (Robin Ticciati, Vito Priante) (2012)

Posted by kwakee

Mozart: Le Nozze Di Figaro / Ticciati, Glyndebourne Festival [Blu-ray]
Conductor: Robin Ticciati | Composer(s): Wolfgang Amadeus Mozart | Director: Michael Grandage | Performer(s): Lydia Teuscher, Vito Priante, Sally Matthews, Audun Iversen | Orchestra/Ensemble: Orchestra of the Age of Enlightenment, Glyndebourne Chorus | Label: Opus Arte | BluRay-rip | AVC | MKV 1920x1080 (16:9) / 6215 kbps / 29,970 fps - DTS / 6ch / 48.0 KHz / 24 bits | File hosts: Share-online.biz, Uploaded.net | 5% recovery record + 1 .rev file | Run time: 180 mins | 9.74 GB
Language(s): Italian | Subtitle(s): English, French, German, Japanese, Korean
Recorded live at Glyndebourne Festival, June 2012




Perhaps no opera is closely and affectionately associated with a single house as Le nozze di Figaro is with Glyndebourne. Effortlessly witty yet shot through with pain and sadness, this deeply ambivalent life in the day of masters and servants as they scheme and outwit one another was Glyndebourne’s opening production in 1934. Michael Grandage’s staging is the seventh, set in a louche Sixties ambience. Marshalled by the ‘ideal pacing’ of Robin Ticciati, a youthful cast of principals has ‘no weak link’ and ‘looks gorgeous’ (The Sunday Times) in a production that continues Glyndebourne’s rewarding history of engagement with Mozart’s and da Ponte’s ‘day of madness’.

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